![]() ![]() Also in plays, the dialogue can be highly stylized with characters speaking in sophisticated, rhythmic language, even poetry in the case of Shakespeare. In film, the magic of a close-up often tells you everything you need to know, making words obsolete. ![]() This is necessary because, unless you’re lucky enough to sit in the front row, it may be difficult to read the actors’ subtle facial expressions or body language. They will often rant, argue and even break into monologues or soliloquies. In this medium, characters use words to communicate their wants, dreams, manipulations, and frustrations. Montages usually do not contain dialogue. Movies also include montages, or a series of images edited together to help the audience process a lot of information in a very short amount of time. Actually seeing a plane crash is much more dramatic than hearing about it. In a film, you’ll typically see a plane crash or a boat sink rather than one character telling another that a plane crashed or a boat sank. The general rule in writing a screenplay is to “ show, don’t tell,” meaning screenwriters try as often as possible to let an image communicate an idea. Read More: Playwright Bess Wohl Explores Postpartum Psycho Horror in Film Debut 'Baby Ruby' Images vs. Plays are generally small and intimate, told in and around a central location, with dialogue guiding the story. Screenplays are typically for large-scale stories, set in many locations, where the images, sounds, and action all really help tell the story. The Diary of Anne Frank is expressly quiet and intimate, making it a great experience for live theater. Dunkirk is highly visual, exciting sonically with lots of special effects making it highly suited for the cinematic experience. Is it an epic World War II film with lots of action that takes place in the air, sea, and on land, like in the movie Dunkirk, or is it an intimate, family drama set in one confined space, like an attic in The Diary of Anne Frank ? Both stories are set during the same war, but they offer two very different experiences. If you have a story idea and you’re trying to figure out if it’s best told as a stage play or a screenplay, think about the scope and scale of the actual story. ![]()
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